On this day in
1821 Nikolai A Nekrasov Russian poet was born
1822 César Franck, composer and organist, was born
1830 Emily Dickinson, America’s best-known female poet was born
1870 Adolf Loos Austria architect was born
The exhibition presented at Ca' Rezzonico in Venice, Italy, is curated by Lionello Puppi and Nicoletta Ossanna Cavadini and arises from the fruitful collaboration of three institutions. After opening at the m.a.x. museo di Chiasso late-winter this year and moving to the Istituto Nazionale per la Grafica in Rome in April, the exhibition will arrive in Venice by July, being displayed in the rooms of Ca’ Rezzonico, providing an opportunity to explore some artistic materials that are surprisingly little-known, but of great significance for the study of the history of art. Copper plates and prints – the first of which all in the possession of the Fondazione Civici Musei di Venezia and now carefully restored by the Istituto Nazionale per la Grafica – will be placed alongside each other so as to evaluate the unparalleled quality achieved by this extraordinary and refined artist, an innovator in this medium as in others, thanks to his enthusiastic attempt for the finest technical results and to his rare ability. And it is with the exceptional nature of Giovanni Battista Tiepolo’s copper plates that the exhibition reveals the originality of its scientific intentions, documenting the Venetian painter’s great imagination: a genuine surprise, whose artistic and scientific value has attracted the attention of scholars and the curiosity of the general public only in recent years.
Image: Giovanni Battista Tiepolo. La Sacra Famiglia attraversa il lago in barca