On this day in
1471 painter and print maker Albrecht Dürer was born in Nürnberg Germany
1844 French painter Henri Rousseau was born in Laval.

For decades, critics have observed that Andy Warhol’s influence is dominant in contemporary art, but as of yet no exhibition has explored its full nature or extent. Regarding Warhol: Sixty Artists, Fifty Years at The Metropolitan Museum of Art is the first major exhibition to do so through approximately 45 works by Warhol alongside 100 works by some 60 other artists. This innovative presentation, structured in five thematic sections, juxtaposes prime examples of Warhol’s paintings, sculpture, and films with those by other artists who in key ways reinterpret, respond, or react to his groundbreaking work. The exhibition shows the dialogue and conversation between works of art and artists across generations.
Image: Francesco Vezzoli (Italian, born 1971)
Liza Minnelli
1999
Cotton embroidery on canvas in artist’s frame
14 x 12 3/8 in. (35.5 x 31.5 cm) overall
Galleria Franco Noero, Torino, Italy
© 2012 Artists Rights Society (ARS), New York / SIAE, Rome
The Metropolitan Museum of Art
1000 Fifth Avenue at 82nd Street- New York, United States
Hours: Sunday to Thursday 9 am-5.30 pm
Friday and Saturday 9:30 am - 9 pm
Closed on Mondays (except for the "MET Holiday Mondays")
Admissions recommended: $25 for adults, $17 for senior citizens and $12 for students
http://www.metmuseum.org

Eighteen early to mid-century American artists who forged distinctly modern styles are the subjects of American Legends: From Calder to O’Keeffe, opening December 22 at the Whitney Museum of American Art. Drawing from the Whitney’s permanent collection, the year-long show features iconic as well as lesser known works by Oscar Bluemner, Charles Burchfield, Paul Cadmus, Alexander Calder, Joseph Cornell, Ralston Crawford, Stuart Davis, Charles Demuth, Arthur Dove, Marsden Hartley, Edward Hopper, Gaston Lachaise, Jacob Lawrence, John Marin, Reginald Marsh, Elie Nadelman, Georgia O’Keeffe, and Joseph Stella. Curator Barbara Haskell has organized the Museum’s holdings of each of these artists’ work into small-scale retrospectives. Many of the works included will be on view for the first time in years; others, such as Hopper’s A Woman in the Sun, Calder’s Circus, Jacob Lawrence’s War Series, and Georgia O’Keeffe’s Summer Days, are cornerstones of the Whitney’s collection. The show will run for a year in the Museum’s fifth-floor Leonard and Evelyn Lauder Galleries and both the Sondra Gilman Gallery and Howard and Jean Lipman Gallery on the fifth-floor mezzanine. To showcase the breadth and depth of the Museum’s impressive modern art collection, a rotation will occur in May 2013 in order that other artists and works can be installed.
Image: Charles Demuth, My Egypt, 1927. Oil on fiberboard, 35 3/4 × 30 in. (90.8 × 76.2 cm). Whitney Museum of American Art, New York; purchase with funds from Gertrude Vanderbilt Whitney 31.172
Whitney Museum
945 Madison Avenue at 75th Street
New York, NY 10021 United States
Hours: Monday–Tuesday Closed
Wednesday–Thursday 11 am–6 pm
Friday 1–9 pm (6–9 pm pay-what-you-wish admission) Saturday–Sunday 11 am–6 pm
Admission: general $15 / concessions $10
Museo + the Kaufman Astoria Studios Film & Video Gallery $6
http://www.whitney.org

From February 22 through May 22, 2013, the Solomon R. Guggenheim Museum in New York will present No Country: Contemporary Art for South and Southeast Asia, the inaugural exhibition of the Guggenheim UBS MAP Global Art Initiative. The exhibition features work by 22 artists and collectives representing some of the most compelling and innovative voices in South and Southeast Asia today. Focusing on the region's shifting spectrum of creative practices, the exhibition traces networks of intellectual exchange and influence, and considers the various impacts of ethno-nationalism, colonization, and globalization on national identity. The exhibition features painting, sculpture, photography, video, works on paper, and installation, the majority of which will be on view in the United States for the first time. All works have been newly acquired for the Guggenheim's collection under the auspices of the Guggenheim UBS MAP Purchase Fund. Following its presentation in New York, No Country is expected to travel to venues in Hong Kong and Singapore.
Image: NO COUNTRY: CONTEMPORARY ART FOR SOUTH AND SOUTHEAST ASIA
Aung Myint
White Stupa Doesn’t Need Gold, 2010
Acrylic on canvas, 150 x 100 cm
Solomon R. Guggenheim Museum, New York, Guggenheim UBS MAP Purchase Fund
© Aung Myint
Image courtesy the artis
Solomon R. Guggenheim Museum
1071 5th Avenue (at 89th Street) New York, USA
Museum Hours: Saturday–Wednesday 10 AM–5:45 PM
Friday 10 AM–7:45 PM
Closed Thursdays and Christmas Day
Admission and complimentary audio tour: Adults $18
Students and Seniors (65 years +) with valid ID $15
Children under 12 Free - Members Free
http://www.guggenheim.org

In Greek mythology, Eros was the god of love. He was capable of overpowering the minds of all gods and all men. Literary sources of the sixth and fifth centuries B.C. portrayed him as a powerful, often cruel, capricious being, and in classical Greek art Eros was usually represented as a winged youth. A radically different visual image of Eros—as a charming, winged child asleep on a rock—was introduced centuries later by Hellenistic artists. The Metropolitan Museum of Art’s statue of Eros Sleeping—one of the finest of the surviving bronze statues from classical antiquity—will be the focus of the special exhibition Sleeping Eros, opening January 29, 2013.
Image: Bronze statue of Eros sleeping
Date: 3rd-2nd century B.C.
The Metropolitan Museum of Art
1000 Fifth Avenue at 82nd Street- New York, United States
Hours: Sunday to Thursday 9 am-5.30 pm
Friday and Saturday 9:30 am - 9 pm
Closed on Mondays (except for the "MET Holiday Mondays")
Admissions recommended: $25 for adults, $17 for senior citizens and $12 for students
http://www.metmuseum.org

Impressionism, Fashion, and Modernity at The Metropolitan Museum of Art presents a revealing look at the role of fashion in the works of the Impressionists and their contemporaries. Some 80 major figure paintings, seen in concert with period costumes, accessories, fashion plates, photographs, and popular prints, highlight the vital relationship between fashion and art during the pivotal years, from the mid-1860s to the mid-1880s, when Paris emerged as the style capital of the world. With the rise of the department store, the advent of ready-made wear, and the proliferation of fashion magazines, those at the forefront of the avant-garde—from Manet, Monet, and Renoir to Baudelaire, Mallarmé, and Zola—turned a fresh eye to contemporary dress, embracing la mode as the harbinger of la modernité. The novelty, vibrancy, and fleeting allure of the latest trends in fashion proved seductive for a generation of artists and writers who sought to give expression to the pulse of modern life in all its nuanced richness. Without rivaling the meticulous detail of society portraitists such as James Tissot or Alfred Stevens or the graphic flair of fashion plates, the Impressionists nonetheless engaged similar strategies in the making (and in the marketing) of their pictures of stylish men and women that sought to reflect the spirit of their age.
The Metropolitan Museum of Art
1000 Fifth Avenue at 82nd Street- New York, United States
Hours: Sunday to Thursday 9 am-5.30 pm
Friday and Saturday 9:30 am - 9 pm
Closed on Mondays (except for the "MET Holiday Mondays")
Admissions recommended: $25 for adults, $17 for senior citizens and $12 for students
http://www.metmuseum.org
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