December 02, 2020

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Erkka Nissinen and Nathaniel Mellors to represent Finland at the 2017 Venice Biennale

Erkka Nissinen and Nathaniel Mellors to represent Finland at the 2017 Venice Biennale

Artists Erkka Nissinen and Nathaniel Mellors have been selected for the Pavilion of Finland at the 57th Venice Biennale with their proposal The Aalto Natives. The exhibition is curated by Xander Karskens.

The jury was impressed by the inventiveness of the proposal, its subversive humour, and the imaginative way it responds to the complex issue of nationhood and interdependence.

“We selected the proposal because the ideas it presented were amongst the most captivating, surprising and artistically diverse. We are confident that it will generate debate and be a highly engaging experience for the audience.”

The exhibition will transform the Pavilion of Finland into an immersive environment through a multimedia installation comprising video, sculpture and a talking egg.

Erkka Nissinen (1975, Helsinki, Finland) has over the years created a series of video works and installations featuring a resourceful do-it-yourself deployment of both vernacular and digital tools (such as hand puppeteering and crude 3D animation) to craft an absurdist comical-philosophical universe. Here, topics such as social interaction, sexuality, violence and the origins of human consciousness and creativity are addressed in cartoonesque narratives populated by a cast of hyperbolic characters, often performed by the artist himself. Nissinen lives and works in New York, Helsinki and Amsterdam.

NeanderthalContainer,	2014 HD	video	projection,	22	mins. Installation	view	(Prequel	Dump),	The	Box,	Los	Angeles. Photography:	 Fredrik	Nilsen,	courtesy	of	the	artist	and	The
Neanderthal Container, 2014 HD video projection, 22 mins. Installation view (Prequel Dump), The Box, Los Angeles. Photography: Fredrik Nilsen, courtesy of the artist and The

Nathaniel Mellors (1974, UK) is an Amsterdam and Los Angeles based artist working across a wide range of media. His absurdist drama series Ourhouse (2010–ongoing) about an eccentric British family and its entertainingly erratic interaction with reality, language, and power, has been central to a host of international exhibitions. In these exhibitions, video is typically presented alongside sculptural work, in which the ideas and characters present in the video’s narrative are further elaborated. Mellors’ work was part of the 2011 54th Venice Biennale’s main exhibition ILLUMInations, curated by Bice Curiger.

Vantaa HDvideo,	2008,	10 Photo credits / Erkka
Vantaa HD video, 2008, 10 Photo credits / Erkka

Nissinen and Mellors met during their residency at the Rijksakademie in Amsterdam in 2007. They have been fervent admirers of each other’s work since. The Aalto Natives is their first joint exhibition project.

Curator Xander Karskens (1973, the Netherlands), has worked on solo exhibitions with both Mellors and Nissinen in the past, in his capacity of curator of contemporary art at Frans Hals Museum | De Hallen Haarlem in the Netherlands, which holds works of both artists in its collection. Among other publications, Karskens co-edited Book A or Megacolon or For and Against Language (2010) by Nathaniel Mellors. He was the curator of international exhibitions and projects like Ghost in the system – scenarios for resistance at NCCA Moscow (2013) and FOCUS: the Netherlands at ARCOmadrid in 2012.

“It is a great honour and privilege to be allowed the opportunity to develop a project for Finland within the context of national representation on a global stage, and to work with two of the most imaginative artists of their generation. It feels urgent and fitting to address the complexities of the biennial context, and the broader debates around nationality and (inter)dependence, by way of artistic practices in which the subversive and critical potential of humour is explored, that powerful affective force that is capable of opening up new perspectives on our existence beyond knowledge or rationality. The exhibition will provide a strong sense of discovery, a micro-universe in which two idiosyncratic artistic voices will re-examine Finland’s past, and speculate on its possible futures,” Xander Karskens says.

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