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Gauguin’s Worlds: more than seventy work celebrate the Force of the Primitive

15 April, 2016

 

Paul Gauguin (1848–1903) cannot be ignored. Not in the realm of art history, nor at Glyptoteket, which is home to one of the world’s finest collections of the artist’s work. This spring’s special exhibition adds new layers to the story of this French artist, presenting his experimental explorations of ‘the primitive’.

Featuring more than seventy works spanning every media employed by the artist, the exhibition Gauguin’s Worlds, open until 28 August 2016, offers an overview of Gauguin’s wide-ranging life’s work while also focusing on particular highlights. The exhibition traces Gauguin’s unwavering endeavours to build and express his very own concept of ‘the primitive’; a concept that cuts across different cultures and geographical locations.

Gauguin’s stubborn pursuit of the primitive in the face of personal and financial difficulties was not fuelled by an interest in ethnographic matters, but sprang from an artistic vision. A vision that took on its own distinctive form across different cultures, ages and religions, making no concessions to established norms for artistic creativity and use of media. The exhibition explores the journey that led towards Gauguin’s personal, original artistic idiom. This includes the physical travels that took him to Denmark, Brittany, Arles, Martinique and Polynesia, but also the inner voyage where he constantly, his mind fuelled by countless different impressions and sources, invented and reinvented the primitive in imaginary worlds.

Gauguin’s world of motifs and imagery draws on many sources of inspiration, but always relates to the primitive as a concept. As the exhibition shows, Gauguin’s take on ‘the primitive’ can be understood as something universal, something eternally rooted in human nature, but also as a carefully managed artistic brand that blends fiction and reality at every turn. Despite garnering only limited acclaim in his own day, Gauguin was very aware of tapping into his own era’s fascination with the ‘New’ world, even if he always captures that world through a deeply personal and complex prism.

The exhibition demonstrates the huge potential inherent in Glyptotekets’ collection. Most of the works on view come from the museum’s own collection, supplemented by carefully selected loans – some major highlights, others curiosities – from other museums and private collections. With its clear narrative and themed presentations, the exhibition covers Gauguin’s work from his early years to his late production. It also documents his immense appetite for working with different media and materials. Here visitors will find paintings, prints, drawing, ceramics, woodcarvings and rarely-seen examples of Gauguin’s furniture and jewellery design.

This event is based on the exhibition “Gauguin – Tales from Paradise”, which Glyptoteket curated in the autumn of 2015 for MUDEC – Museo delle Culture in Milan.

 

 

Paul Gauguin Tahitikvinde med en blomst Tahitian Woman with a Flower 1891 70,5 x 46,5 cm Olie på lærred/Oil on canvas Ny Carlsberg Glyptotek
Paul Gauguin Liggende tahitikvinder Reclining Tahitian Women 1894 Oil on canvas 60 x 98 cm Ny Carlsberg Glyptotek
Paul Gauguin Hyrdepige fra Bretagne Breton Girl 1889 Oil on canvas 71.5 x 90.5 cm Ny Carlsberg Glyptotek
Paul Gauguin Landskab fra Tahiti Landscape from Tahiti 1893 49 x 54 cm Olie på lærred /Oil on canvas Ny Carlsberg Glyptotek
Paul Gauguin Skøjteløbere i Frederiksberg Have Skaters in Frederiksberg Gardens 1884 65 x 54 cm Olie på lærred/Oil on canvas Ny Carlsberg Glyptotek
Paul Gauguin Portræthoved i uglaseret stentøj af kvinde fra Martinique med hovedtørklæde Portrait-Head in unglazed Stoneware of Martinique Woman with Kerchief 1887-88 22,5 x 13 x 17,5 cm Uglaseret stentøj, dekoreret med lervælling /Unglazed stoneware, decorated with slip Ny Carlsberg Glyptotek

Details

Date:
15 April, 2016
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Venue

Statens Museum for Kunst (Danish National Gallery)
Sølvgade 48-50
København , DK 1307 Denmark
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Website:
http://www.smk.dk

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