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Mauritshuis presents Vermeer -and his Contemporaries- from the British Royal Collection

29 September, 2016

A royal visit from Great Britain: from 29 September 2016 to 8 January 2017 the Mauritshuis in The Hague will exhibit a selection of the most important Dutch genre paintings from the British Royal Collection.

The famous Royal Collection, held in trust by Her Majesty Queen Elizabeth II, contains highlights from the oeuvres of famous painters such as Gerard ter Borch, Gerrit Dou, Pieter de Hooch, Gabriël Metsu and Jan Steen. Never before has such a large group of genre paintings from the Royal Collection been on view in the Netherlands. The highlight of the exhibition is The Music Lesson by Johannes Vermeer.

 

Emilie Gordenker, Director of the Mauritshuis: “Never before has such a large group of genre paintings from the British Royal Collection been on view in the Netherlands. It is a great honour to have them in the Mauritshuis for the duration of the exhibition.”

 

Adriaen van Ostade (1610-1685) The Interior of a Peasant’s Cottage, 1668 Signed and dated: Av. Ostade / 1668 Oil on panel, 47 x 42 cm Purchased by George IV, 1811
Jan Steen (1626-1679) A Woman at her Toilet, 1663 Oil on panel, 66 x 53 cm Signed on the column on the left: JSteen (JS in monogram) and dated on the column on the right: 1663 Purchased by George IV, 1821
Adriaen van Ostade (1610-1685) The Interior of a Peasant’s Cottage, 1668 Signed and dated: Av. Ostade / 1668 Oil on panel, 47 x 42 cm Purchased by George IV, 1811
Johannes Vermeer (1632-1675) Lady at the Virginals with a Gentleman, early 1660s Oil on canvas, 73 x 65 cm Signed on the bottom of the frame of the painting on the wall to the right: IVMeer (IVM in monogram) Acquired by George III, 1762
Gerrit Dou (1613-1675) The Grocer’s Shop, 1672 Oil on panel (rounded at the top), 49 x 38 cm Signed and dated lower right: GDOV / 1672 (GD in monogram) Purchased by George IV, 1817
Jan Steen (1626-1679) A Village Revel, 1673 Oil on canvas, 110 x 147 cm Signed lower right: JSteen (JS in monogram) Dated in the inscription on the inn sign: T MIS VERSTANT 1673, the placard next to the door is inscribed: DIT HUIS IS TE HUER Purchased by George IV, 1811
Jan Steen (1626-1679) A Twelfth Night Feast: ‘The King drinks’, ca. 1661 Oil on panel, 40 x 54 cm Signed lower right: IS Purchased by George IV, 1814

The Royal Collection has some of the most important holdings in the world. It owns many paintings of the Dutch Golden Age, and gives pride of place to its genre paintings, scenes that appear to be taken from everyday life. The exhibition At Home in Holland: Vermeer and his Contemporaries from the British Royal Collection introduces the public to the genre painting, its many forms and the provocative symbolism it often conceals. These works are stunning in their variety, from simple farmhands gathered in an inn to elegant figures in rich interiors. Some of the everyday scenes carry a deeper, often moralistic meaning, which may be explicit or at times concealed. But in all of them, the artists portrayed the characters and their environments as skilfully as possible, which makes them even more attractive.

The exhibition covers a broad selection of the best Dutch genre paintings from the Royal Collection. It includes 22 paintings from the British Royal Collection and one from the collection of the Mauritshuis, The Young Mother by Gerrit Dou. This painting was part of the British Royal Collection until about 1700, and came into Dutch ownership through King and Stadholder William III. The highlights of the exhibition are Johannes Vermeer’s The Music Lessonand Jan Steen’s A Woman at her Toilet. Also featured are significant works by other grand masters of Dutch genre painting, such as Gerard ter Borch, Gerrit Dou, Pieter de Hooch, Willem van Mieris and Gabriel Metsu.

The Music Lesson is one of the rare 36 surviving works by Johannes Vermeer. This painting dates from 1660-1662, and shows a woman and a gentleman beside a virginal. Above the instrument hangs a mirror, which reflects the foot of Vermeer’s easel. Music is undoubtedly a symbol of love in this painting, and this is confirmed by the Latin motto on the virginal. The painting was acquired by King George III of England in 1762, when it was attributed to Frans van Mieris the Elder. Only later was it recognised as a masterpiece by Vermeer.

Another highlight in the exhibition is a painting by Jan Steen, which dates from 1663. It was once known as A Woman at Her Toilet. It shows a young woman who, judging by the indents above her calves is pulling her stocking off as her eyes meet those of the viewer. As in Vermeer’s painting, the context can be understood as amorous. Such subjects were extremely popular in their day. Steen makes the point that the physical pleasures are transient by showing a skull in the door opening, under a lute with a broken string.

Details

Date:
29 September, 2016
Event Category:

Venue

Mauritshuis
Plein 29
Den Haag, 2511 Netherlands
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Website:
http://www.mauritshuis.nl

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