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The Cleaner: Moderna Museet presents Marina Abramovic’s first major European retrospective
18 February, 2017 - 19 February, 2017
For more than four decades, Marina Abramović has worked with presence and her own body as her primary artistic media. This has made her one of the most widely acknowledged artists of our time. Her uncompromising self-exposure has evoked criticism and praise in equal measure. Now, Moderna Museet opens the exhibition The Cleaner – the artist’s first major retrospective in Europe.
The Cleaner was produced in close collaboration with Marina Abramović and features more than 120 works. It presents several of her best-known performances, including the Relation Works with German artist Ulay, her collaborator and partner from 1976-1988. These works take the form of live reperformances, films, installations and photographs from the 1970s to today. Moderna Museet is also delighted to show early paintings and works on paper from the 1960s and onwards, some of which are being exhibited for the first time. Also included are her relatively unknown audio works from the 1970s.
“Even in her earliest works, Marina Abramović expands the given boundaries, in terms of scale, medium, and the relationship to the audience. The responsibility shared by the artist and the participants for what the work can evolve into permeates her entire oeuvre”, says Lena Essling, curator of the exhibition.
“27 years ago, before her international breakthrough at the Venice Biennale, we had the honour of featuring Marina Abramović in an exhibition at Moderna Museet. We now take great pride in being the first museum in Europe to produce a retrospective exhibition of her work”, says Daniel Birnbaum, director of Moderna Museet.
A selection of Abramović’s performance works will be reperformed in the exhibition by specially-trained performance artists. The featured works are Cleaning the Mirror (1995), where one person carefully scrubs a human skeleton in a confrontation with mortality, Freeing Series (1975), where the voice, memory and body are liberated, and Art Must Be Beautiful, Artist Must Be Beautiful (1975), where the same phrase and action are repeated obsessively, like an incantation.
Just over a week after the opening, a new work by Marina Abramović, in collaboration with Lynsey Peisinger, will be performed at the Eric Ericson Hall (the Skeppsholmen church) for seven days, 27 Feb–5 March.
“Together with the Eric Ericson International Choral Centre, Marina Abramović, 30 performers, 15 singers and a large number of choirs, we are creating an entirely new performance work. This is a work where a common vulnerability arises, and everyone collaborates in a simple, direct and humane way”, says Catrin Lundqvist, curator of programmes.
The exhibition, that will be open until May 21, 2017, is organised by Moderna Museet in collaboration with Louisiana Museum of Modern Art, Humlebæk, and Bundeskunsthalle, Bonn. Curators: Lena Essling, Moderna Museet, Tine Colstrup, Louisiana Museum of Modern Art, and Susanne Kleine, Bundeskunsthalle.
The exhibition catalogue Marina Abramović – The Cleaner includes contributions by Lena Essling, Tine Colstrup, Adrian Heathfield, Bojana Pejić och Devin Zuber. The catalogue is published by Moderna Museet in collaboration with Hatje Cantz Verlag.
Top Image: Marina Abramović at the Eric Ericson Hall, 2017 Photo: Moderna Museet / Åsa Lundén