The Royal Photographic Society of Thailand and Bangkok Art and Cultural Centre, in collaboration with Sundaram Tagore Gallery, are pleased to present Sebastião Salgado: The World Through His Eyes, an exhibition of iconic black-and-white images selected from the celebrated photographer’s most influential series: Workers (1986–1992), Exodus (1993–1999) and Genesis (2004–2011). A portfolio of prints titled Other Americas will also be on view. This is the first major presentation of Sebastião Salgado’s work in Thailand.
Sebastião Salgado is one of the word’s greatest living photographers. In the past three decades, he has traveled to more than 100 countries for his photographic projects. Breaking down barriers, he lives with his subjects for weeks, immersing himself in their environments. He sees himself as a participant entering their story. Salgado describes this approach as photographing from inside the circle. Each of his images is infused with empathy and respect for his subjects. Within a single frame, he captures the fragility and the fortitude of the human spirit.
In the mid-1980s, Salgado began photographing the essential work of manual laborers in every industry. On the cusp of the new millennium, he found that the kind of physical work that so much of the world’s population depended upon for their livelihoods was threatened by mechanization and technological advances. The resulting Workers series became what he called “a visual archaeology” of the Industrial Revolution and marked the twilight of an era when men and women still worked with their hands. Workers brought Salgado to every corner of the world and became his first truly global project. From bicycle factories in China, to sugarcane and tobacco plantations in Cuba, to shipbreaking yards in Bangladesh, the images from Workers became instantly iconic and cemented Salgado’s reputation as the world’s photographer.
In his Exodus series (also known as Migrations), Salgado documents the mass displacement of people across 35 countries as a result of social, political, economic and environmental disparities. These prints lay bare some of the bleakest moments of modern history.
Genesis, a series that was eight years in the making, comprises hauntingly beautiful photographs of majestic landscapes, serene wildlife and ancient civilizations untouched by modern society. Salgado made more than 32 trips, capturing remote realities and paying homage to unspoiled nature: surreal icebergs in Antarctica, the isolated Zo’é tribe in Brazil and Africa’s native animals in Kafue National Park, Zambia.
In 2013, the exhibition Genesis began touring the world, showcasing more than 200 works from the series. This landmark exhibition debuted at London’s Natural History Museum and was one of the museum’s most visited shows that year. It then traveled to numerous prestigious cultural venues around the world, including the National Museum of Singapore, where it was extended after four months due to record attendance. Genesis made its American debut in 2014 at the International Center of Photography in New York.
A special portfolio of 20 prints from Salgado’s Other Americas series will also be on view. He began this body of work in 1977, fueled by a desire to return to Latin America after years of adventure in Africa and Europe. He spent seven years making images in Brazil, Chile, Bolivia, Peru, Ecuador, Guatemala and Mexico. The images in the portfolio were compiled and printed in 2014.
A printed catalogue accompanies this exhibition and a selection of photographs from the Genesis series is available in a book of the same title published by Taschen (2013).
The exhibition at the Bangkok Art and Culture Centre will be on view in conjunction with bi-weekly screenings of The Salt of the Earth, the award-winning documentary about Salgado’s work directed by Oscar-nominated filmmaker Wim Wenders and Juliano Ribeiro Salgado, the photographer’s son. Admission is free.
Venue: Bangkok Art and Culture Centre, 8th Floor, 939 Rama 1 Rd, Pathum Wan, Bangkok 10330
Exhibition dates: February 8 to March 8, 2017
Top Image: Tietê bus terminal, São Paulo, Brazil, 1996, gelatin silver print, 20 x 24 inches/50.8 x 61 cm © Sebastião Salgado/Amazonas Images