December 03, 2020

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Tintoretto, Auerbach, Moore and Hirst: Bowie/Collector, soon at Sotheby’s

Tintoretto, Auerbach, Moore and Hirst: Bowie/Collector, soon at Sotheby’s

Sotheby’s will stage Bowie/Collector, a three-part sale encompassing over 350 works from the private collection of legendary musician David Bowie.

At the heart of of the sale is a remarkable group of more than 200 works by many of the most important British artists of the 20th Century, including Frank Auerbach, Damien Hirst, Henry Moore and Graham Sutherland.

The Auctions:

Part I: Modern & Contemporary Art, Evening Auction, 10 November

In the evening of 10 November the most important pieces from the David Bowie Collection will go under the hammer, led by Jean-Michel Basquiat’s magnificent Air Power. At the heart of the auction is Bowie’s collection of 20th-century British Art, which moves from Harold Gilman’s Interior (Mrs Mounter), painted during the First World War, to works by Damien Hirst from the 1990s by way of David Bomberg, Henry Moore, Graham Sutherland, Eduardo Paolozzi, Patrick Caulfield, Frank Auerbach and Leon Kossoff. The selection is embellished by keys works by Marcel Duchamp, who Bowie cited as a major influence, and Francis Picabia as well as a 16th-century Venetian altarpiece by Tintoretto.

Part II: Modern & Contemporary Art, Day Auction, 11 Nov

Part II of the Bowie/ Collector auction reveals the full extent of David Bowie’s eclectic and understated collection. Alongside paintings, drawings and sculpture by 20th-century British artists there are German Expressionist prints, Picasso ceramics, collections of Contemporary African and Outsider Art, and a Surrealist chess set by Man Ray, all of which provide a unique insight into Bowie’s artistic vision and his passionate collecting journey.

Part III: Design: Ettore Sottsass and the Memphis Group, 11 November

Bowie was a voracious collector of the works of eccentric Italian designer Ettore Sottsass and the Milan-based Memphis group. The final session of the sale series will comprise pieces such as the iconic Post-Modernist ‘Casablanca’ Sideboard, from the first Memphis collection of 1981, and the unconventional record player, the RR 126 Radiophonograph, designed in 1965 by the brothers Pier Giacomo and Achille Castiglioni for Brionvega, both of which are definitive pieces of cutting edge Italian design fitting for the most innovative and daring musician of his generation.



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